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Celtic tattoo art

If there's no celtic tattoo art in the world, there will be no human.

celtic tattoo art give people beauty. Beauty can adjust people's mood. A good mood will improve people's work. The word becomes more beautiful because of celtic tattoo art.

Art works inspire people. Everybody in the world need inspiration. That's how people affect each other. That is how dead people affect living people. That's the wealth of human inherited from ancestors.

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Every culture have their representative art works. For example, the statue of liberty is a symbol of freedom and it's a great art work of French people.

I had several friends in various effected areas and they are all safely accounted for to my relief. But, sadly so many and so much has been lost, and while everyone I know directly has turned up safe, there are family and friends of friends who are missing, and at this point I’m afraid that hope of good news at this late date is fading.

Yes Steve P, I’d agree with your final comments on animal behavior. It is a point well taken and indeed my choice of terminology was imprecise.

It's actually difficult to tell what is art. No one can deny that some sports are also art. Or people will argue some plays are art works of sports.

Chinese calligraphy is an abstract art form. Chinese calligraphy is unique in term of the tools, materials and the spirit inside the art works. Chinese calligraphy is the soul of Chinese culture.

As I mentioned I tend towards a nature and nurture explanation for a behavior, with a preponderance of weight on social conditioning for the category of behavior in question.

In some places headhunting definitively faded out long ago, in other parts of the world it was a practice that lingered as common place until the mid-20th century at least. I think it is fascinating how utterly repugnant such practices are to some societies, while conversely in others, they were not only condoned and encouraged but viewed as an absolutely essential component of community well being.

Art can not be learned. Actually, art techniques can be learned. Art talent can not. People can only learn techniques and knowledge in art school. They can not learn art talent there. Without talent, one can not become a great artist.

Though Boas?stated goal was to determine the dynamic conditions under which art styles grow up? and was not necessarily an attempt to nail down the evolutionary, psychological and behavioral impetus for artistic endeavor itself, none the less the cross discipline implications seem relevant.

Boas was on to something, and Miller’s ideas strike me as complimentary and mutually reinforcing. While Boas only mentions the personal creative satisfaction of the artisan him or herself, the idea that creative virtuosity could serve as an appeal to prospective mates, seems like a fairly reasonable extension of his conclusions on art motives? and one that could reinforce the artisans own pleasure in the aesthetically creative act.

A final comment or two on head hunting? for the majority of us who will read this discussion, I think it is safe to say that if this phenomenon is of interest at all, then at most we may possibly gain an intellectual understanding of why various societies might indulge in headhunting, but our own deeply ingrained cultural praxis will prevent us from ever looking at headhunting the way someone who is an autochthonous member of a headhunting society might.

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