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So I am very sorry for that, but I will go away with very very happy memories of Papua, New Guinea." Conversely, I should also note that in this same documentary the local headman expresses great reverence and esteem for the Rev. Chalmers and went so far as to say, because of his coming we are civilized."

In any case, one can see that Goaribari is a place with a colorful history, no matter what one interpretation of some of those events might be.

As for the Gope boards, they are displayed in the long houses and are the representation of ancestral spirits. They may be understood to represent what are essentially tutelary entities whose power and wisdom guide successive generations.

Yet it struck me that headhunting quite often, though not always, occurs in the context of inter-tribal or inter-village warfare. So, would placing headhunting in the context of war mitigate the abhorrence some of us might feel toward the institution of headhunting? Interestingly, it strikes me that for natives of, as Steve P. aptly designated it ?

I'm afraid the off the cuff choice of using the adjective ortalto qualify combat may have created an unfortunate distraction that has diverted the essential intent of the comment.

In any case, this has lead to other interesting tangential topics and sources. I see that the book you suggest, On Aggression, is by Konrad Lorenz. I looked it up on Amazon and it seems like a very worthwhile and thought provoking read.

My aim in making the comment was actually just to provide an example that could give voice to other potential points of view, which is to say that of those who are more inclined to cite actor more instinctual urges, which might be construed as the impetus for headhunting activity in some cultures, and how I could see why people might reasonably draw that conclusion as well.

I just like to add that in the seminal work, rimitive Art? By Boas, which was first published in 1927 I believe, Boas repeatedly cites the pleasure of virtuosity and the satisfaction of aesthetic creativity as one of the principal motivations for creating art.

Today, the artists live a better life than in history. A lot of artist are recognized and get famous when they are very young. That earns them a better life. But there are still a lot of great artists who are not well know for their great art works.

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