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Art |
Kindergarten art and craftIf there's no kindergarten art and craft in the world, there will be no human. kindergarten art and craft give people beauty. Beauty can adjust people's mood. A good mood will improve people's work. The word becomes more beautiful because of kindergarten art and craft. Art works inspire people. Everybody in the world need inspiration. That's how people affect each other. That is how dead people affect living people. That's the wealth of human inherited from ancestors.
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-- Chinese calligraphy lessons for beginners. Free! The argument is that such individuals are more desirable to the opposite sex and hence are more likely to pass their skills and aesthetic tendencies on to progeny? Reinforcing the creative/artistic tendencies of the species in the following generations. The possibility of drowning is also viewed as unlikely in the minds of many people, first because apparently Rockefeller was acknowledged as a very strong swimmer, and secondly because two local guides that had been on the boat when it capsized did successfully swim to shore, and many feel Rockefeller was certainly capable of doing the same. It is rather just to point out what I see as the striking malleability and cultural specificity of moral boundaries and how in cases like the one just mentioned, a few moments can totally change the acceptability of certain actions. While listening to military briefings in the news, often it is explicitly stated that an objective of some operations will be to "capture or kill" the enemy. Every culture have their representative art works. For example, the statue of liberty is a symbol of freedom and it's a great art work of French people. Yet it struck me that headhunting quite often, though not always, occurs in the context of inter-tribal or inter-village warfare. So, would placing headhunting in the context of war mitigate the abhorrence some of us might feel toward the institution of headhunting? Interestingly, it strikes me that for natives of, as Steve P. aptly designated it ? As I mentioned I tend towards a nature and nurture explanation for a behavior, with a preponderance of weight on social conditioning for the category of behavior in question. Boas was on to something, and Miller’s ideas strike me as complimentary and mutually reinforcing. While Boas only mentions the personal creative satisfaction of the artisan him or herself, the idea that creative virtuosity could serve as an appeal to prospective mates, seems like a fairly reasonable extension of his conclusions on art motives? and one that could reinforce the artisans own pleasure in the aesthetically creative act. |