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-- Chinese calligraphy lessons for beginners. Free! When considering headhunting in isolation and without any context, and given our own backgrounds, most of us would be hard pressed to ever genuinely and completely dissociate the practice of headhunting from urder?in some sense. While the Chalmer incident left a powerful impression on the mind of missionaries, the Rockefeller incident is the one that tends to linger most in the thoughts of those of us who are interested in the art and culture of this area. This latter event happened in the Asmat region, which is West through the Torres Straight and up along the coast of West Papua (Indonesian side) in relation to Goaribari Island where the Gope board that started this thread originated. Technologically developed areas", the socio-cultural outlook does seem to allow much of the populace to dissociate causing deaths in a war context from urder? This relativity of perception is noteworthy. Artists made great contribution to the world. But what they got is usually much less than what whey gave. Many great artists lived a suffering lives. After they are dead, their art works become invaluable. It was then that the famous missionary Rev. James Chalmers and a party of 12 lost their heads and were eaten by Goaribari headhunters. Another missionary reported witnessing over 10,000 skulls in the long houses of Goaribari. Boas was on to something, and Miller’s ideas strike me as complimentary and mutually reinforcing. While Boas only mentions the personal creative satisfaction of the artisan him or herself, the idea that creative virtuosity could serve as an appeal to prospective mates, seems like a fairly reasonable extension of his conclusions on art motives? and one that could reinforce the artisans own pleasure in the aesthetically creative act. In other words creativity and virtuosity whether it be story telling , song , drawing on cliff walls, carving and shaping wood, stone or bone, personal adornment, basket making or any such skill that affords aesthetic pleasure and reveals what could be deemed artistic prowess is in short, a urn on? The lawful or unlawful context is socially determined and the implication is that while murder is always killing, killing is not always murder. This is in no way a revelation, but it seems few ever pause to consider it all. There's a wonderful book on the subject, called On Aggression. The author's name has momentarily left the page that my brain is scanning - one of the interesting phenomena that occurs with age. I'm completely confident that I will recall it in a little while, so the memory trace isn't gone, it's just temporarily inaccessible. Of course, people from outside headhunting cultures, that become the victims of headhunting will always have a degree of sensational interest attached to their stories just because of the relative novelty of the event. The sort of most dramatic of the other plausible scenarios is that he became the victim of Asmat headhunters and all that implies. If that was how it happened, the bitter irony naturally is that the young Rockefeller was passionate about the area and had a great interest and respect for a smart people and culture. As I mentioned I tend towards a nature and nurture explanation for a behavior, with a preponderance of weight on social conditioning for the category of behavior in question. |